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I picked up a Zoom F8 recorder to improve my on-location recording experience. It seemed like the right time, the F8N is now out and shops are selling off the F8s much cheaper even though the new version is 99% the same (and certainly not worth 50% more). I even got a free bag.

Having bought a F8 a gentleman’s thoughts will turn to how to power it.

A while ago one of our For Folk’s Sake session participants mentioned they were thinking of hiring a PR agent to help with their promotion and asked if I had any opinions or recommendations. At the time I had nothing, but it did get me thinking on the subject and thought I’d share.

As 2017 is almost over here are some thoughts on my first full year of recording sessions for For Folk’s Sake. FYI, this is going to be quite behind-the-scenes rather than talking about the music as such.

I recently picked up a Tascam DR-70D as part of a solution for lightweight session recording for For Folk’s Sake.

I can drag my full audio setup around with the help of a rolling Peli case but it’s not much fun. Partly it’s transporting the interface, but on top of that the laptop, with a power adapter and a safety extension lead. So I decided to try using a field recorder instead.

I’ve been using a pair of Panasonic GX8s, primarily for session videos, for a few months. I’ve written about the GX8 before, but now I’ve now added a GX80 I thought I do a quick comparison of the two, as well as sharing some initial thoughts.

Because a man can never have too many hobbies, a few months ago I look on the role of live reviews editor for For Folk’s Sake. As part of this I had the idea of starting up a series of live sessions.

I’ve added a Panasonic GX8 to my camera bag. Firstly, this is to supplement for gig photography, replacing the E-M5 with my current X100S + 2 x MFT arrangement and ultimately allowing a 3 x MFT bag when lenses allow. Secondly, I’ve been working on a video related project that I’ll describe another time.

So much of a user’s experience of a camera is driven by the firmware that runs it. For a while Fujifilm were doing a good job of frequently releasing firmware updates for their X-series cameras, even for some models that were discontinued. This process even had a name “Kaizen”, and was somewhat promoted as a key philosophy of the brand. Unfortunately, this didn’t apply to the X100S which I own.

Just over a year ago I started generating this blog not with Wordpress but with a Perl script. The first version, DmBlog was a dirty hack but proved the point. I then expanded this script into DmSite which was capable of building my whole site.

DmSite worked, just about, but was pretty creaky and in no way could be used by anyone else. I decided it was worth a bit of a refactor to tidy it up and the resulting project is Parakeet.

Another new lens. How did I get here?

When I bought into the Fujifilm X series with the X-E2 and XF56/1.2, the intention was to replace my E-M5 and Olympus 45/1.8 combination for gig photography. This didn’t work out as the Fujifilm combination completely failed to autofocus. I was going to stick with it as a manual focus setup, but over Christmas the X-E2 also struggled to focus with the 18-55 zoom in borderline indoor light and I just lost patience with it and sent the lot to eBay.

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